anaida hernández

MUSEO de ARTE de PUERTO RICO (MAPR) From June 2019  Until death do us part - Hasta que la muerte nos separe, 1992-1994. Traveling installati on Memorial dedicated to the deaths of 100 femicide in Puerto Rico by their husbands, lovers or ex-spouses between 1990 to 1993. Anaida Hernandez is a pioneer in domestic violence issues, one of the artists in the Americas in developing a work around the theme ... represented through the fragmented female body -  Emilia Quiñones Otal - Specialized critic Journal of the Institute of Puerto Rican Culture, Third Series, pag. 167 History exhibition : traveled to 5 countries in North and Central America, Europe and the Caribbean; 7 cities, 9 museums and galleries in the world; 1 ton of weight. Currently part of the permanent collection of the Museum of Art of Puerto Rico (MAPR), from may 2019 in exhibition MAPR. Museo de Bellas Artes, Habana, Cuba; Ludwig Forum Museum, Aachen, Alemania; Museo de Arte de Puerto ...

EN EXHIBICIÓN  Las manos de Caita en el Museo de ARte de Bayamón Las manos de Caita por Anaida Hernández NEXOS, Edición MAB:   Diálogo entre obras de la colección permanente del  Museo de Arte de Bayamón y artistas mujeres contemporáneas  curada por Marimar Benítez hoy  jueves, 7 de marzo de 2019  a las 7:00 p.m.   en el Museo de Arte de Bayamón,  Parque de las Ciencias Luis A. Ferré, Bayamón, Puerto Rico Artistas en exhibición en el Museo de Arte de Bayamón, Puerto Rico ADA BOBONIS,  AIXA REQUENA, AMANDA CARMONA BOSCH, ANA ROSA  RIVERA, ANAIDA HERNÁNDEZ, ANNEX BURGOS, CONSUELO GOTAY,  CRISTINA  CÓRDOVA,  DHARA RIVERA,  DIANA DÁVILA,  ELSA MARÍA MELÉNDEZ  TORRES, ESTELA MONSERRATE DE MARI, HAYDÉE LANDING, INÉS  APONTE, IRENE DELANO, ISABEL BERNAL, VELISSE JIMÉNEZ, ALLORA &  CALZADILLA,  LORRAINE DE  CASTRO,  MA...

Un poco de historia Anaida Hernández, Toma de poder, de la serie Seducción = Poder, 2006 - 2018 Esta pintura se exhibió por primera vez en el contexto de la instalación de pinturas  Seducción = Poder  en la galeria de arte Alegría en San Juan, Puerto Rico en el 2006. Mil pie de sogas sujetaban a las pinturas, estiradas con poleas y algunas decoradas con joyería de fantasía. Las sogas formaban distintos tipos de nudos que a su vez sujetaban a las pinturas unas con otras sin enmarcar. Originalmente las obras se exhibieron sin bastidor a modo de tapices en lino Belga estiradas con sogas por las cuatro esquina de la tela. En el 2008 se exhibió también en la galeria Taller Boricua, Centro Cultural Julia de Burgos, Manhattan, NY. Luego, en el 2010 en la exhibición Sentidos y engaños en el Museo de Arte Caribbean University (MACU) con el bastidor que tiene hoy día. La obra de arte se termina cuando se termina No un hay un tiempo ni una formula para decir que una ...

NEW PROJECT AND WORK FROM ANAIDA WHERE IT COMBINES ART, FLORICULTURE AND ENVIRONMENT IN THE ROOF GARDEN OF HER STUDIO IN SAN JUAN,  PUERTO RICO ON EXHIBITION WITHIN THE EXHIBITION JOSÉ ALICEA, MASTER WHO ENCARNA GRÁFICA Art Gallery, Liga de Arte de San Juan , San Juan, Puerto Rico RIZOMAS, 2018. Hybid living installation: wood relieve print on canvas, acrylic painting, burn borders, drawing on walls, living epiphytic plants and branches of Hurricane Maria. After a long carer as an interdisciplinary artist, Anaida returns to her roots by coming into contact with the earth as a amateur gardener, incorporating new creative forms by joining art, floriculture and the environment. On the roof of her studio, she begun  grew unusual and idyllic flowers, aerial plants (epiphytes which do not need soil to survive) for produce "living installations", plants tinctoreas to make her own paintings as raw material.  Anaida re-initiated the project, before the huraca...

CROSSING BORDERS  "The risk, the anticipation, the luck, walk on a tightrope, the riddles and the fortuitous; these are the elements of life that are translated into the practice of the game, in the act of rolling the dice and turning the wheel of fortune "- Anaida Hernández Fragment of the essay by Laura Bravo Roulette of Fortune: The American Dream,  From the Illegal Games exhibition, 1998 - 1999 Particitative Installation (polychrome wood, acrylic painting and steel) Variable measures Junio 2017 - enero 2018 La ruleta de la fortuna: el sueño americano ,  1998 - 1999   I nstalation view: Grand Center Art Center, Gallery, Cal. State University The risk and emotion of the game are star resources of this piece, where the public is invited to participate with the purpose of experiencing the sensation of venturing to reach an idealized life in a foreign space. The mythical dream of the protagonist country is recognizable through symbols such a...

Two nominations for EMMY AWARDS, 2003 for direction and production FILM IN THE CITY OF NY STREET Fortuitos encounters SYNOPSIS It is often said that New York is defined as a city of multiple personalities. Dos Minutos - NY is a set of 26 mini interviews lasting approximately 2 minutes, about the lives and the creative and innovative work of Puerto Ricans and Latinos that inhabit it. Explore topics such as cultural heritage, popular wisdom and achievements. In just two minutes we are approaching a meeting point of ethnicities and cultures. Through colorful characters interviewed, we see an urban landscape of bustling streets and avenues of Midtown, neighborhoods, museums and multicultural festivities and more.

ARTE PLAZA ART GALLERY, SAN JUAN, PUERTO RICO Coordinator:: Sylvia Villafañe, Petrus Gallery, San Juan, Puerto Rico Curator: Mariamar Benitez Al galope, 2017 Through symbols and metaphors I explore topics as complex as migration and travel. All countries have a flag, a shield and an anthem that distinguish them and make them unique in the world; they are the patriotic symbols and cause of pride. On the shield of Puerto Rico, the oldest shield in the new world, carries the symbols of its history. The image of the lamb that is on a red book, is lying down, symbol of wisdom symbol. I have visualized that our Lamb gets up and takes flight in an imaginary journey and that from above, the PAISaje is another, with a new perspective. The action and the change of course of the Lamb, expands its horizon and borders to become a nomadic immigrant. No matter the risk, the sleeplessness, walking on the tightrope or the difficulties of the Lamb, he embarks on a new path of his to...