RESIDENCIA DE ARTISTA - Brodsky Center for Innovative Editions, Rutgers University, New Jersy, EUA

ARTIST - IN- RESIDENCE 

Caita's Hands, 1998. Linoprint on hande-made-paper (one black color print)
Link: BRODSKY CENTER - Art on Loan Program






















The primary mission of the Brodsky Center for Innovative Editions is to enable groundbreaking artists, both established and emerging, to create new work in reproductive media at its state-of-the-art facilities. Artists-in-residence are invited to engage in one-on-one collaborations with the BCIE’s master printers and papermakers. These BCIE experts and innovators make it possible for artists to translate their vision into a  media that may be new to them.

The Brodsky Center for Innovative Editions was founded as the Rutgers Center for Innovative Print and Paper (RCIPP) in 1986 by Judith K. Brodsky, an artist, printmaker, arts advocate, and professor of art at Rutgers, The State University of New Jersey.  It was established as an international forum for the exchange of new ideas in print and papermaking processes and education. In 2006 it was renamed in honor of Judy in recognition of her leadership and vision. 


Alexander Library, Rutgers University



Since 1986, over 300 artists have collaborated with the BCIE’s master printers and papermakers. Its state-of-the-art facilities are equipped to produce work in virtually all print media including digital, intaglio, lithography, silkscreen, relief, papermaking, photo processes, letterpress, and books.


Editions produced by the Brodsky Center are included in the collections of the Metropolitan Museum of Modern Art, Museum of Modern Art, and Whitney Museum of American Art, New York, Cleveland Museum of Art, Baltimore Museum of Art, Museum of Fine Arts, Boston, The Newark Museum, Victoria & Albert Museum, London, Bibliothèque nationale de France, Paris, Stadtmuseum Berlin, Australian National Gallery, Canberra, and other international institutions as well as many private collections.

Books
The Latina artist : the response of the creative mind to gender, race, class and identity / [artists in residence, Maria Magdalena Campos-Pons, Annalee Davis, Coco Fusco, Anaida Hernandez, Yolanda López, Amalia Mesa-Bains, Catalina Parra ; editors, Denise M. Rompilla, Alessandra V. Exposito, Ayodamol T. Okunseindo ; instructors, Judith KBrodsky, Isabel Nazario ; students, Carmen Bardeguez-Brown ... [et al.]; translator, José Fernandez]




Entradas populares de este blog

The triumph, 2004. Urban Train of Puerto Rico, Bayamón Station /Public Art Program of Puerto Rico

Las nymphs, 2005. Mosaic floor.

Until death do us part, )1992). 10 years traveling installation history from 1994 to 2004

Museo de Arte de Puerto Rico, Anaida Hernández, Código Secreto, 2004

New Museum of Contemporary Art, NYC. Illegal Games/ Juegos Ilegales, 1999, Conjunto de 4 instalaciones dentro de un gran laberinto.

RESIDENCIA DE ARTISTA: Grand Central Art Center, Cal State Fullerton, Santa Ana, Los Angeles

RIZOMAS - HYBRID INSTALLATION, 2017

Museo de Arte Caribbean University (MACU), Bayamón, Puerto Rico. Anaida Hernández: Sentidos y engaños, 2010

Until death do us part - Hasta que la muerte nos separe, 1992-1994. Traveling installation

NEW MUSEUM - Illegal Games , Anaida Hernández solo show.