Enlace: PERIÓDICO EL ADOQUÍN
anaida hernández
ANAIDA HERNÁNDEZ, ARTISTA INVITADA A LA XV BIENAL DE LA HABANA, 2024, CUBA. Puerto Rico - based contemporary artist. Her primary media is a installation, sculpture, painting and printmaking using a wide variety of materials, including wood, concrete, metal, and hand-made natural pigments. She also works in the media of film documentary and poli/graphic.
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sábado, 18 de enero de 2025
ENTREVISTAS (AUDIO) POR YOLANDA WOOD
La historiadora y curadora de arte, la Dra. Yolanda Wood, nos presenta una mirada del arte de nuestro caribe a través de entrevistas (audio) y comentarios de curadores, artistas y agentes culturales realizadas en la XV Bienal de La Habana 2024 en el Museo de Bellas Artes, La Habana, Cuba
CATÁLOGO DE LA INSTALACIÓN PR R - PODER, RESISTENCIA, REBELIÓN - Anaida Hernández
CATÁLOGO DE LA INSTALACIÓN PR R - PODER, RESISTENCIA, REBELIÓN - Anaida Hernández, presentada en la XV Bienal de la Habana 2024, Cuba.
Enlace : Catálogo PR R - PODER, RESISTENCIA, REBELÓN
martes, 14 de enero de 2025
VIDEO CORTO - VISTA PANORÁMICA DE PR R - PODER, RESITENCIA, REBELIÓN - 15 BIENAL DE LA HABANA, 2024, CUBA
Artista Anaida Hernández
https://youtu.be/Ii_aVV6URlE
BIOGRAFIA NARRADA - ANAIDA HERNANDEZ
BIOGRAFÍA NARRADA con enlaces de interés a otras páginas web sobre la trayectoria artística de Anaida Hernández.
CONVERSATORIO DE MUJERES CREADORAS DE PUERTO RICO EN EL EVENTO JORNADA TEÓRICO DE XV BIENAL DE LA HABANA
viernes, 24 de marzo de 2023
CROSSING BORDERS - The Wheel of Fortune (American Dream), returns to NYC after 24 years
"Risk, anticipation, luck, walking on a tightrope, riddles and the fortuitous; these are the elements of life that are translated into the practice of games, in the act of rolling the dice and turning the wheel of fortune "- Anaida Hernández
miércoles, 22 de marzo de 2023
Anaida Hernández, Artist talk at Hunter College East Harlem Gallery , NYC
Wheel of Fortune (American Dream), 1999 by Anaida Hernández. Mixed-media interactive installation. Wood, acrylic paint, steel, fabric. Variable dimentions; wheel: f d (1.4m). table top: 6 x2 f x 2 1n (1.8m x 60 x x cm.) View at the Taller Puertorriqueṅo, Filadelfia, USA.
Link: https://centropr.hunter.cuny.edu/event/ida-y-vuelta-anaida-hernandez-artists-talk
LOCATION: The Silberman School of Social Work
COST: Free
April 1 1:00 pm – 2:30 pm
The exhibit, whose name translates to Arrivals and Departures: Migration Experiences in Contemporary Puerto Rican Art, is curated by Laura Bravo and features 19 Puerto Rican artists whose works respond to the experience of many Puerto Ricans living abroad. It is on view at Hunter College East Harlem Gallery through September 30th.
This event is part of the CENTRO 50th Anniversary Celebration! Join us all of 2023 in celebrating 50 years of CENTRO’s work to strengthen, diversify, and reimagine the field of Puerto Rican Studies.
Support our 50th Anniversary here!
This Artist Talk is organation by professor Magdalena Sagardía as part of the Latino Popular Culture - HyField course from the Department of Latin American and Latino Studies at Lehman College, CUNY.
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CENTRO Announces Ida y Vuelta: Experiencias de la migración en el arte puertorriqueño contemporáneo at Hunter East Harlem Gallery this Spring
The exhibit will be on view from March 30, 2023 to September 30, 2023
Link: https://centropr.hunter.cuny.edu/news/centro-announces-ida-y-vuelta-experiencias-de-la-migracion-en-el-arte-puertorriqueno-contemporaneo-at-hunter-college-east-harlem-gallery-this-spring/
(New York, NY – March 14, 2023) The Center for Puerto Rican Studies (CENTRO) in partnership with Hunter East Harlem Gallery, has announced the opening of the exhibition, Ida y Vuelta: Experiencias de la migración en el arte puertorriqueño contemporáneo (Arrivals and Departures: Migration Experiences in Contemporary Puerto Rican Art), from March 30th, 2023 through September 30th. The exhibition, a major show featuring 19 artists whose works respond to the processes, causes, and consequences of traveling and living away from their place of origin, will mark the first time in ten years that CENTRO will be partnering with the Hunter East Harlem Gallery, neighbor to the CENTRO Library & Archives, as part of their 50th Anniversary celebrations.
“It is imperative that CENTRO continue to bring attention to our collective stories and examine our migration processes not just from analyzing data but also from an artistic perspective.” expressed Ángel Antonio Ruiz-Laboy, Director of Arts & Culture at CENTRO. “The opportunity to collaborate with Hunter College Art Galleries after so many years allows CENTRO to impact Hunter students and faculty and to ignite new conversations about Puerto Rico’s colonial relationship with the US.” he continued.
Curated by Dr. Laura Bravo, the exhibition first opened in February 2017 at the History, Anthropology and Art Museum, University of Puerto Rico, Río Piedras Campus. The show suffered a temporary closure after the strike of Hurricane Maria in September 2017, reopening in December that year and inspiring timely conversations about the humanitarian consequences of this tragic event.
viernes, 29 de octubre de 2021
Artist Statement
Anaida Hernandez is a contemporary multimedia artist. Born and raised in Puerto Rico,
Anaida's work is characterized by addressing human rights issues: femicide, migration, environment, identity and coloniality. Anaida Hernández's research-based practice investigates the intersections of history, material culture and politics through a wide range of media that include painting, sculpture, printmaking, installations and documentaries, among others. Anaida is considered by art critics as one of the pioneers in addressing the issue of violence against women in contemporary Caribbean and Latin American art. 1 Until death do us part, 1994, is a memorial installation, an icon of Hernández's work where the artist reminds us of the femicides in Puerto Rico, when Law 54 on Domestic Violence was signed in 1989.
Anaida considers herself a builder and painter attracted by archaeology, mythology, dreams and symbols. The textures of Anaida's paintings exemplify the inventive technique found in her work. Hernández experiments with multiple materials to perfect her artistic creation techniques with unique results. These provide the basis for her to cover her canvases with a plaster that Hernández calls Concretexturas and with which she "empañeta" his canvases and creates light and resistant surfaces. This plaster is composed of multiple materials such as cement, sand, lime, marble powder, mineral and natural pigments, brick powder and fiberglass.
Anaida Hernández challenges and seeks to break the limits of art, translating her experience and sensations through a variety of processes. Hernández is influenced by the Situationists and the art of ancient cultures. And in the creative process she uses fundamental concepts such as Chance, Drift and Fortuitous Encounters which she calls Anaida 's ADEF (Azar Deriva Encuentro Fortuito) .
Hernández democratizes art with her pieces by looking for new approaches and tactics to break with the social and institutional divisions that separate art from everyday life. As an important component and strategy, Anaida invites the public to participate in a physical interaction with the work through the artistic activity of the game 2.
Anaida considers her work as Affective Conceptual Art, conceptual in idea and affective in image.
Anaida Hernández lives and works in San Juan, Puerto Rico. She is currently working on a series of large-scale paintings and pictorial sculptures. In this series, Anaida considers nature and the landscape as a code to decipher the riddles of identity, power and colonialism that provoke a subtle but powerful visualization of the ecological crisis of the neocolonial landscape .
1 Quiñones Otal, Emilia (2015 ) , "Transversality between patriarchal violence and colonial violence inthe arts of Puerto Rico". Journal of the Puerto Rican Institute (111):162-169.p. 167.
2 Anaida Hernandez: Illegal games/Illegal games
Documental José R. Alicea, grabador/ papelero, pajarero - Dirección Anaida Hernández
https://youtu.be/rOcA_KnfSvY
Titulo: José R. Alicea, grabador, papelero, pajarero
Produción ejecutiva: Teresa Tió
Dirección:
Producción general: Anaida Hernández y Teresa Tió
Tiempo: 23 minutos de duración
Fecha: Estreno el 6 de agosto de 2021
Lugar: Teatro Raúl Juliá, Museo de Arte de Puerto Rico, San Juan, Puerto Rico
Una producción de Rumbo Cultural
José R. Alicea, grabador, papelero, pajarero, es un documental sobre la vida y obra del artista grabador puertorriqueño, José R. Alicea.
Enlace: Periódico El Vocero
domingo, 12 de septiembre de 2021
Taller de Pintura Experimental
lunes, 28 de junio de 2021
A falta pan, galleta. Exposición Grupo TaPiEx. Sin taller ni prensa para imprimir Improvisación con impresiones monotipos con frutas, vegetales durante la pandemia
Exposición de pintura del grupo de artistas mujeres Las TaPiEx
Museo y librería La Casa del Libro les invita a la apertura, en modalidad presencial de la exposición.

“A falta de pan, galleta”, el miércoles 30 de junio, a las 7:00 de la noche en la sede del museo biblioteca, en la Calle del Santo Cristo 255 en el Viejo San Juan.
La exposición destaca el trabajo de un grupo de mujeres artistas que durante el encierro pandémico se reunieron vía digital desde distintos países, guiadas por la experimentada artista plástica y profesora Anaida Hernández. Debido a la falta de acceso a materiales tradicionales de grabado, sin taller ni prensa para imprimir, improvisaron con los ingredientes disponibles en sus cocinas creando así monotipos con frutas y vegetales como la zanahoria, el brócoli, la papa, gelatina y glicerina que fueron seguidos de impresos con materiales obtenidos de la naturaleza o reciclados. Así surgió la iniciativa “art print sin prensa” que las llevó a descubrir y expresar, a través del grabado, sus talentos y creatividad. A medida que los materiales de arte se hacían accesibles incorporaron yeso, linóleo y madera.
miércoles, 22 de enero de 2020
Experimental painting - Las Tapie - with women group art classes at Printmaking Center
starting on Friday, January 24, 2020
Note: CANCEL NEXT SESSIONS TO JUNE
Every Friday
Hours: 1-5 pm
Place: Printmaking Center and Art Book - Old Carnegie Library, Puerta de Tierra, San Juan, Puerto Rico
Artist and professor: Anaida Hernández
Telephone: 718-810-3999
E-mail: anaidahernandez@gmail
Price: $300.00